Work is good, especially paying work. But I’m so slammed with assignments now that I can barely see straight, much less write thoughtful, incisive posts about storytelling in online video.
I’ll get back to blogging as soon as I can fill my lungs again. Meanwhile, if you haven’t read–or at least glanced at–a few of the posts on Seeing Your Story, please check them out.
Thanks! I look forward to being back in touch with you soon.
Still too crazy-busy to spend much time blogging, so I decided to turn this post over to a guest auteur, one of the master storytellers of our age, Ira Glass. He needs no introduction, so I won’t introduce him. I’ll simply siphon his 4-part, 17-minute presentation off YouTube and hand it over to you in 4 player windows. The rest is up to you. He’s brilliant, so savor the experience. And while you’re at it, take notes and ponder how his insights apply to your productions.
Enjoy!
Part 1
Part 2
Part 3
Part 4
That’s all, folks! Your comments and questions are always welcome.
This week, I’m starting on three brand-new projects that will put bread on the table. (For you foodies, I’ll disclose that the bread will be the Harvest loaf from Nashoba Brook Bakery.) I’m flying to Virginia this evening and am so flat-out that I don’t have time to compose a big post for Seeing Your Story. As a consequence, you’re on your own as you ardently seek to improve your online video storytelling skills.
Your assignment, should you choose to accept it, will be to watch other people’s online videos and think hard about how well the makers have done at presenting their stories. Look at some corporate websites, and also the websites of not-for-profit orgs.
Each time you watch a video, ask yourself: What’s the story they’re trying to tell? Do they get their main points across? Are the picture quality and sound clarity good enough not to interfere with the storytelling? Do they make good use of on-camera interviewees? Is the video engaging–do you like it and would you recommend others watch it? Is it short enough not to waste your time?
Make up some additional questions to ask yourself.
You can learn a lot by watching other people’s videos, as long as you do it consciously.
Enjoy! And let me know about any noteworthy videos you come across.
Isaiah Mustafa is the man of the hour. Or he was last week, when nearly a quadrillion people watched his commercials and dozens of quickie videos he and Old Spice’s genius team cranked out.
In case you’ve been off the grid hiking the entire Pacific Crest Trail lately, here’s what one of the most brilliant spots in the history of commercials looks like:
What’s to say? Writers, directors and actors are all tearing up their union cards and becoming game wardens; why go on when you’ll never reach this level of creative cool?!
Despair not. If you make online videos, Isaiah has 3 tips for you that will turbo-charge your next production.
The first is simple: Dare to be different, but keep the core.
A men’s fragrance ad “should” feature an average dude who has no luck with the women until he splashes on the product. Presto, he’s surrounded by beautiful females. You’ve seen variations on this theme a thousand times.
What you haven’t seen from the cologne crowd is a guy who would be insufferable were he not self-mocking … said guy log-rolling, walking on water, catching a birthday cake (not difficult for a former NFL wide receiver), jumping gracefully into a hot tub, etc. The deal is that the creative team pared the theme down to its very core–this incredible man uses Old Spice body wash–then took it to crazy heights.
Second tip: Polish your script ’til the shine hurts your eyes.
Catch this prose:
“Hello ladies. How are you? Fantastic! Does your man look like me? No. Can he smell like me? Yes.”
We’re barely 6 seconds into a 30-second spot and already a full commercial’s worth of message has rattled your eardrums: Your man can be an incredible hunk if you get him the long and wide product I’m holding in my hand.
Now, your video may be about fighting terrorists, baking cupcakes or maintaining oral hygiene. You may have constraints where Mr. Mustafa has freedom. Granted. But no matter what, if you’re working from a script, spend all the time you need to get the words right. Read it out loud to yourself, and revise until you like what you’re hearing.
Tip #3: Remember, your on-camera talent is a minor deity.
Maybe not so minor in Old Spice Man’s case, but that’s not the point. Whenever you put someone on camera to be a spokesperson for your company or group, make sure to do right by the talent. It may be the CFO of your corporation, it may be the pastor of your church, it may be a hired actor. Whoever it is, that’s the point person your audience is relating to.
If you’re working with someone whose charisma has gone missing, do the best you can to eke out an acceptable performance. Don’t stint on this. When all else fails, you can cover most of their standups with B-roll (shots of what the talent is talking about).
And if you’re filming someone the camera loves, exploit the hell out of their performance. That’s what Old Spice did with Isaiah Mustafa.
I’ll leave you with one of the quickie videos from last week. You can find more on YouTube’s Old Spice Channel. This one’s a response to a tweet from TV journalist George Stephanopoulos:
Hey Old Spice Man — Political question: President’s lost some female support. How does WH get those women voters back?
I love rules! Following them can keep you productive, appreciated and safe. But sometimes you want to go beyond being “productive,” and create something that flat-out expresses who you are, even if other people don’t appreciate your efforts and you cross the yellow line of safety. Sometimes you need to break the rules. That’s unusual in the jittery corporate world, so it’s worth casting our eye on a rare example of this wild breed.
To do so we’ll cross the ocean and travel to the hills near Lyon, France. Only a click away, of course. Today, we’re putting a video from Artprice under the Seeing Your Story microscope to find out how it works. It shouldn’t work, because it stomps several sacred rules of online video-making all to hell. But it does work–at least it did for my wife and me. We watched it through to the end, all 23 minutes and 46 seconds of it.
I like putting images in these posts, to tempt your eye. So here’s Artprice’s video player. But I’m not going to make it work–yet–because I want you to finish reading before you watch the video. (Psssst, the real video player is near the bottom of this post.)
Artprice bills itself as “the world leader in art price information,” with millions of works of art, and much more, listed in their monster database. Assuming you’re interested in art and are a potential customer, how should they beguile you into signing up, at least for a free trial? With a short, punchy video, right? In this case, wrong.
Before you look at their video, here’s a list of some rules and how they broke them:
RULE 1: Keep it short. This video introduction is not 2 minutes long, as it “should” be. As I mentioned, it’s almost 24 minutes long!
RULE 2: Hit the viewers right off the starting block. Vive la France! This video begins with lyrical shots and minor-key music. The first human voice doesn’t pop in for fully 51 seconds. And even then it’s as nebulous as only a French voiceover can be: “The story of Artprice is above all a human adventure, an extraordinary artistic adventure.” Wow!
RULE 3: Keep it simple. Are you kidding? This is from the land of Descartes, Sartre and Foucault.
RULE 4: Avoid long interview shots. And if you must have long interview bites, cover them with lively shots of what they’re talking about. Not here, though. Yes, some shots are covered, but other talking heads keep on yakking.
RULE 5: If you’re marketing something, have a call to action. Especially at the end of your video. Artprice, in its contrarian way, concludes its show with a bite from the boss: “I believe we are at the beginning of an extraordinary story that will stretch right across the 21st century.” This is followed by self-conscious video snapshots of staffers. “So who needs a call to action?” they seem to be saying.
And yet, Artprice is un grand success, with over a half million daily page views. It’s impossible to say how much of the traffic is due to the video, but I believe this rule-busting production has some positive clout. Please watch as much of the video as you’d like, then read on and see if you agree with my conclusions. When you click on the player, it will open their webpage in a new window.
Here’s why I think the video works, in spite of breaking so many rules. Do you agree with me? Do you feel differently?
The Artprice video recognizes its community and plays to them. Since visitors to their website are interested in art, they’re surely used to strolling through museums and galleries. They’re more interested in experiencing works of art/movies/videos than getting through them as quickly as possible.
All the cues in the video reach out to this audience. The setting nails this from the opening shots. The building that is the HQ of Artprice is itself a work of art–a controversial work of art, for that matter. It’s a staggeringly original building, and it establishes the artistic authority of Artprice.
Every sound bite reinforces Artprice’s seriousness and credibility–and there are lots of lengthy bites.
All the staffers interviewed look like characters in a French movie. Depending on your POV on French cinema, this is either charming or pretentious, but what they have to say is pretty impressive: Artprice has compiled over 100 terabytes of information, including dope on more than 115 million works of art, etc., etc.
The music and the elegant dolly shots make the whole production feel more like a feature film than a corporate video. I’d say this is a plus for an art-loving crowd.
At this point you probably think I’m going to recommend you break the rules when you make your next online video. But I won’t–just the opposite. I think you should follow the 5 rules near the top of this post, and you’ll have a better chance of crafting a successful video. However, if you have a lot of self-confidence and some skill to back it up, and you have a vision that refuses to be bound by the rulebook, by all means go for it. Contrary to the cliché, rules aren’t meant to be broken, but in your case, maybe they are. Good luck!
P.S. When you make your next rule-obeying or rule-breaking online video, let me know about it. Thanks!